Half Cut Tea

Short viedo about a couple who built their own log cabin, made almost entirely of old windows. Design, light, space… making ideas and dreams a reality. Visually pleasing video.

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INFLUENCERS | R+I CREATIVE

Everyone is influenced by something, whether it’s something in nature, something in the news, or for some a person in particular… This short video from looks at a few people in history and present day who are major influencers in modern culture. One of the main outcomes covers how fashion, music and the creative industry in general are all influenced by the same characters and people, in one way or another.

Earth | Creative Inspiration

Although not exactly beaming with artistic input this video has been noted recently by various designers as an interesting source of inspiration, whether it’s taken literally or looked into deeper. Filmed from the International Space Station… I( n space… but you got that… ) This clip shows a round the world trip in about 5 minutes. The detailing is incredible and it’s a great watch.

The September Issue, Vogue film 2009

The September Issue is a 2009 American documentary film about the behind-the-scenes drama that follows editor-in-chief Anna Wintour and her staff during the production of the September 2007 issue of American Vogue magazine. Although the movie is about fashion it actually covers more of the production process of the magazine then it does the fashion going into it.

This movie is suitable for anyone ho wants to get involved in the creative industry, it is well filmed and and well considered. The sections of the film covering the layout and building of the magazine would appeal to all designers or creatives. Have a look at the trailer to get a better idea.

The iconic image…

Stephanie Sinclair's photograph of child brides in Yemen

This image took my breath away when I saw it last year at the ‘World Press Photo Exhibition, 2012’ at the Southbank Centre. It has become something of a ritual – a neat, beautiful and often distressing experience which captures the breadth of news and events which take place annually across the world. There are always several images though which demand more time and focus and which compel me to stay rooted to the spot; the iconic image, ‘which carries an obvious meaning, while at the same time hinting at another idea which is less obvious, but possibly more significant….An icon then is two things at once; it is simultaneously an image and an idea; it is both a sign and symbol.’ (Evie Salmon)
The image above depicts two child brides in rural Yemen with their husbands. Tahani, the girl in pink, is 8; her husband Majed is 27. Ghada, in green, is also 8, while her husband, Saltan, is 33. Everyday around the world, around 39,000 girls, children like Tahani and Ghada, get married. The reception of this image sent international waves rippling and a campaign, Too Young To Wed, was born out of it, and has already prevented many child marriages. It seems to me then, that this image fits the bill – and simultaneously portrayed the abstract and specific, bringing people who come across it, out of their reality and into another’s.

Steve and Ledonna Cobb leave the ruins of Briarwood elementary school in Oklahoma after the tornado

Jonathan Jones, in writing for The Guardian this week and discussing the iconic image of Steve & Ledonna Cobb carrying their child to safety after the Oklahoma tornado, which has been circulating the web describes this experience beautifully. ‘Coming across it in a newspaper I found that I stopped and pondered. It took me out of the workaday world painted by the words around it. Perhaps the reason a news photograph becomes iconic is that it swamps the rational, detailed, yet often ephemeral reality of journalism with something more universal, passionate and human – the grandeur of a sudden tragic insight into what the human condition really is.’ (Jonathan Jones, The Guardian)

Whilst the iconic image often draws upon design and purpose in advertising and branding as well as for artistic merit , they create a picture of an era. And here we turn to theatre. Last night I saw Clod Ensemble’s Zero at the Brighton Dome, a piece which consistently strove towards creating iconic moments for the audience to experience. Did Clod Ensemble’s work carry an obvious meaning, hint an another and become a sign and a symbol? No, but they did touch upon these elements and their theatrical language certainly doesn’t aim to offer obvious meanings. Instead, their signature movement, sound and live music score hinted at ideas and concepts, as they embedded abstract, symbolic and real life events into their work, as tragic events such as Hurricane Katrina, as well as sibling rivalry and threatening behaviour from strangers all featured. Due to the fragmented, layered nature of their work – the remembered images remain stronger for me than my experience of seeing it live. And here we return to the iconic image – a lasting, haunting image which offers me more than a fleeting experience.

Clod Ensemble

The unique selling point of theatre though is all about the live experience, although ephermal, it’s immersive, and offers audiences a sense of community, a shared experience, a ritual. Put plainly, seeing other bodies move and do things in front of you, for you. The most exciting theatre practitioners though, seek to bring the vocabulary of photography, the iconic image to audiences in creating a multitude of lasting visuals which continue to take our breath away, long after we have left the building.

Last meal on death row

Last meal on death row

Mat Collishaw’s Last Meals on Death Row is a splendid and sinister collection of still lifes recreating the final meals of death-sentence prisoners in American prisons.

Collishaw’s compositions portray the request of inmates from Texas, the state with the highest number of executions since 1976. In 2011 however, Texas banned last meal requests for prisoners on death row after Lawrence Russell Brewer ordered two chicken fried steaks, a triple-meat bacon cheeseburger, fried okra, a pound of barbecue, three fajitas, a meat lover’s pizza, a pint of ice cream and a slab of peanut butter fudge. But didn’t eat any of it.

Brighton Festival

Screen shot 2013-04-02 at 14.02.48Brighton Festival

Welcome to the 47th annual Brighton Festival – a three week celebration of music, theatre, dance, circus, art and film that takes place in venues both familiar and unusual across Brighton & Hove.

Brighton Festival is an innovative commissioning and producing mixed-arts festival which has won critical acclaim for presenting exciting site-specific work and encouraging artistic debate in its ambitious programme.

In 2011, Brighton Festival took the art world by surprise, appointing Burmese democracy leader Aung San Suu Kyi as Guest Director. Others who have taken the helm have included actress and human rights campaigner Vanessa Redgrave; renowned visual artist Anish Kapoor; and celebrated musician Brian Eno. This year, we are delighted to welcome the extraordinary poet, broadcaster and former Children’s Laureate Michael Rosen as our Guest Director for 2013.

This year, you can look forward to over 370 performances and 154 events in 30 venues – including 28 unique  commissions, premieres and exclusives – at England’s biggest arts festival.